A murdered detective opens the way to a nine-year-old kidnapping case in Tetsuya Nakashima’s dark ensemble mystery of family wreckage and buried guilt.
A murdered detective opens the way to a nine-year-old kidnapping case in Tetsuya Nakashima’s dark ensemble mystery of family wreckage and buried guilt.
A murdered detective opens the way to a nine-year-old kidnapping case in Tetsuya Nakashima’s dark ensemble mystery of family wreckage and buried guilt.
A murdered detective opens the way to a nine-year-old kidnapping case in Tetsuya Nakashima’s dark ensemble mystery of family wreckage and buried guilt.
Longman Leung’s Cold War blockbuster prequel rewinds to 1994 and old-school Hong Kong cinema, where a tycoon kidnapping unleashes cops, spies, triads, ransom panic, and colonial paranoia in a city changing hands.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
Longman Leung’s Cold War blockbuster prequel rewinds to 1994 and old-school Hong Kong cinema, where a tycoon kidnapping unleashes cops, spies, triads, ransom panic, and colonial paranoia in a city changing hands.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
Los Angeles cabbie Max Durocher (Jamie Foxx) is in for the toughest fare of his working life when he picks up one Vincent (Tom Cruise, natty in charcoal gray sharkskin suit), a jazz enthusiast and professional hitman who quite firmly insists that his…
A magnificent drama about a thief, his techniques, motives, and secret existence. The plot is modeled loosely on Dostoevsky’s CRIME AND PUNISHMENT, but the rigorous intensity of the treatment is pure Bresson, as he tells the compelling story of an insignificant man who drifts into crime and finally finds grace in a prison cell.
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
A magnificent drama about a thief, his techniques, motives, and secret existence. The plot is modeled loosely on Dostoevsky’s CRIME AND PUNISHMENT, but the rigorous intensity of the treatment is pure Bresson, as he tells the compelling story of an insignificant man who drifts into crime and finally finds grace in a prison cell.
A magnificent drama about a thief, his techniques, motives, and secret existence. The plot is modeled loosely on Dostoevsky’s CRIME AND PUNISHMENT, but the rigorous intensity of the treatment is pure Bresson, as he tells the compelling story of an insignificant man who drifts into crime and finally finds grace in a prison cell.
Orson Welles’ masterpiece about a narcotics agent (Charlton Heston) who unintentionally put his wife (Janet Leigh) in grave danger when he investigates a crooked cop (Orson Welles).
The alpha and omega of conspiracy films, Stone’s deliriously entertaining cinematic inquest stars Kevin Costner as Jim Garrison, the New Orleans district attorney who came to find the circumstances of the 35th US president’s assassination more than a…
Frank Abagnale, Jr. (Leonardo DiCaprio) works as a doctor, a lawyer and as a co-pilot for a major airline, all before his 18th birthday. A master of deception, he is a brilliant forger, whose skill gives him his first real claim to fame. At the age of 17, Frank Abagnale, Jr. becomes the most successful bank robber in the history of the U.S FBI Agent Carl Hanratty (Tom Hanks) makes it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him.
Forty years on, John McNaughton’s unflinching, profoundly bleak character study of an itinerant ex-con on a killing spree—loosely inspired by the real-life case of Henry Lee Lucas—has lost none of its power to shock, unsettle, and disturb.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket (Alexandre Rodrigues) is a budding photographer who documents the increasing drug-related violence of his neighborhood.
Adapted by screenwriter Martin Algus from his own 2018 novel, Evar Anvelt’s directorial debut is a pulse-pounding thriller pitting a porn-addicted family man against a hardened con artist whose seemingly foolproof blackmail scheme devolves into a dog-eat-dog fight for survival.
Denied his high school diploma because of a schoolyard fight, Danny Fisher (Elvis Presley) is unsure how he's going to support himself and his unemployed father. He briefly flirts with a life of crime before a club owner hears him singing and offers him a job.
Made in the wake of his Cannes Grand Prix winner Tilaï, the great Burkinabé writer-director Idrissa Ouédraogo’s fifth feature begins with a botched service-station robbery and follows its lone survivor home, where a suitcase of stolen cash begins to look, at least from a distance, like providence. Ouédraogo deploys the film’s thriller shape to examine what guilt does to a man once his material life begins to flourish, and how a community comes to share, profit from, and finally question the lie on which that prosperity rests.
While out hunting, Llewelyn Moss (Josh Brolin) finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh (Javier Bardem) picks up his trail.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
Longman Leung’s Cold War blockbuster prequel rewinds to 1994 and old-school Hong Kong cinema, where a tycoon kidnapping unleashes cops, spies, triads, ransom panic, and colonial paranoia in a city changing hands.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
A Valentine’s Day bus explosion exposes a forbidden love story in Herman Yau’s furious Hong Kong crime tragedy, where social despair turns violently, devastatingly intimate.
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
Los Angeles cabbie Max Durocher (Jamie Foxx) is in for the toughest fare of his working life when he picks up one Vincent (Tom Cruise, natty in charcoal gray sharkskin suit), a jazz enthusiast and professional hitman who quite firmly insists that his…
A magnificent drama about a thief, his techniques, motives, and secret existence. The plot is modeled loosely on Dostoevsky’s CRIME AND PUNISHMENT, but the rigorous intensity of the treatment is pure Bresson, as he tells the compelling story of an insignificant man who drifts into crime and finally finds grace in a prison cell.
Described by Sganzerla—21 years old when he directed his wild-eyed feature debut—as a “Western about the Third World,” The Red Light Bandit drew inspiration from the exploits of João Acácio Pereira da Costa, a recently arrested career criminal…
A magnificent drama about a thief, his techniques, motives, and secret existence. The plot is modeled loosely on Dostoevsky’s CRIME AND PUNISHMENT, but the rigorous intensity of the treatment is pure Bresson, as he tells the compelling story of an insignificant man who drifts into crime and finally finds grace in a prison cell.