Louise Nevelson’s exhibition reconsiders sculpture through movement, performance, and immersive monochrome spatial environments.
Tracey Emin’s exhibition traces four decades of autobiographical art exploring intimacy, vulnerability, memory, and emotional endurance.
Mohamed Bourouissa’s Pour Noubia begins with family memory and expands into a wider portrait of belonging, visibility, and social exchange. At Migros Museum für Gegenwartskunst, the French-Algerian artist draws on the photographic legacy of his aunt Noubia through images, spatial gestures, and installation strategies that keep personal history in conversation with collective experience.