Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
Ideas of Africa: Portraiture and Political Imagination examines how photographers and their sitters contributed to the proliferation of Pan-African solidarity during the mid-20th century. The exhibition gathers striking pictures by photographers working in Central and West African cities, reflecting emerging political realities.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
Hear artists and writers as they reflect on Marcel Duchamp’s experiments with chance-based systems.
Creativity Lab: Make a Portrait invites you to explore creativity in front of and behind the camera through an artist-designed portrait studio. Inspired by the exhibition Ideas of Africa: Portraiture and Political Imagination in Africa, create your own portrait using photography, creative prompts, and a library of photobooks.
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
Spanning more than 100 years of expression and aesthetics, It’s Alive! shares the work of more than 35 artists and filmmakers who advanced the medium. The exhibition highlights its roots in New York and how the city remained a hub for innovative animation.
Pageant cofounders Sharleen Chidiac, Owen Prum, Jade Manns, Alexa West, and Lili Dekker.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
FAST. 2026. USA. Written, directed, and produced by Rob Tregenza. Image courtesy Cinema Parallel
FAST. 2026. USA. Written, directed, and produced by Rob Tregenza. Image courtesy Cinema Parallel
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
FAST. 2026. USA. Written, directed, and produced by Rob Tregenza. Image courtesy Cinema Parallel
When moving images were invented at the turn of the 20th century, films showing people in transit were suddenly available to audiences who only dreamed of traveling. In Immigrant Nation’s opening program, immigrants arriving at Ellis Island are captured by camera operators of Thomas Edison and the Biograph Company after sailing by the Statue of Liberty.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
When moving images were invented at the turn of the 20th century, films showing people in transit were suddenly available to audiences who only dreamed of traveling. In Immigrant Nation’s opening program, immigrants arriving at Ellis Island are captured by camera operators of Thomas Edison and the Biograph Company after sailing by the Statue of Liberty.
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
When moving images were invented at the turn of the 20th century, films showing people in transit were suddenly available to audiences who only dreamed of traveling. In Immigrant Nation’s opening program, immigrants arriving at Ellis Island are captured by camera operators of Thomas Edison and the Biograph Company after sailing by the Statue of Liberty.
When moving images were invented at the turn of the 20th century, films showing people in transit were suddenly available to audiences who only dreamed of traveling. In Immigrant Nation’s opening program, immigrants arriving at Ellis Island are captured by camera operators of Thomas Edison and the Biograph Company after sailing by the Statue of Liberty.
Marianne Wex. Panel from Let’s Take Back Our Space: ‘Female’ and ‘Male’ Body Language as a Result of Patriarchal Structures. 1977. Gelatin silver prints, paper, and ink on board, 19 5/8 × 59" (49.8 × 149.8 cm).
Unica Zürn, artist and author. Orakel und Spektakel, IV. Buch: Anagramme und Zeichnungen (Oracle and Spectacle, Book IV: Anagrams and Drawings). 1960. Book with ink, colored ink, pencil, torn-and-pasted paper, dried plant material, feathers, envelopes, playing card, embroidery-thread winder, and thread; pamphlet binding with red paper wrapper over paper cover with ink on torn- and cut-and-pasted papers, pages: 12 13/16 × 9 13/16" (32.5 × 25 cm).
This large-scale exhibition brings rarely lent sculptures into dialogue with MoMA’s celebrated Brancusi collection and several important local loans, revealing his studio as a place of work, play, and invention. It offers an intimate, complex portrait of an artist who redefined sculpture in the 20th century through the radical simplicity of his forms.
Na Mira. Infrared HD video [work in progress]. 2025. Courtesy the artist and Paul Soto Gallery
Mondrian Boogie Woogie is the first major survey of the artist’s work from his final years in New York City (1940–44). It explores two intersecting stories: Mondrian’s journey to Manhattan as a European refugee and boogie woogie’s northward migration.
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
Ideas of Africa: Portraiture and Political Imagination examines how photographers and their sitters contributed to the proliferation of Pan-African solidarity during the mid-20th century. The exhibition gathers striking pictures by photographers working in Central and West African cities, reflecting emerging political realities.
“A Mexican Artist Records His First Impressions of San Francisco.” 1930.
Hear artists and writers as they reflect on Marcel Duchamp’s experiments with chance-based systems.
Creativity Lab: Make a Portrait invites you to explore creativity in front of and behind the camera through an artist-designed portrait studio. Inspired by the exhibition Ideas of Africa: Portraiture and Political Imagination in Africa, create your own portrait using photography, creative prompts, and a library of photobooks.
Julien Ceccaldi. Title TK. 2025. Acrylic paint and permanent marker on clear acrylic panel, aluminum composite panel, digital vinyl print, wood, and hanging hardware.