For more than 50 years, Richard Tuttle has been loosening the boundaries between painting, poetry, and sculpture to realize an eccentric body of materially light, conceptually rich work. Conceived in close dialogue with Tuttle, this exhibition presents two recent series, the planar 18 × 24 (2022–23) and the scattered Good Idea (2025), which the artist realized in his New Mexico and Maine residences, respectively.
For more than 50 years, Richard Tuttle has been loosening the boundaries between painting, poetry, and sculpture to realize an eccentric body of materially light, conceptually rich work. Conceived in close dialogue with Tuttle, this exhibition presents two recent series, the planar 18 × 24 (2022–23) and the scattered Good Idea (2025), which the artist realized in his New Mexico and Maine residences, respectively.
Conceptualized in 1970 as a contribution for a seminar at Les Arcs in the French Alps, David Lamelas’s Time articulates time visible at multiple levels: in a site, as information, and as an activity. In this work, time becomes both spatialized and durational through the performance of “passing" time down a line of participants.
Experience David Lamelas: The Machine through a free, public tour led by a Dia guide. Facilitated by practicing artists, tours at Dia invite visitors to engage with artworks as active participants and to bring their own questions and perspectives to the gallery experience.
For more than 50 years, Richard Tuttle has been loosening the boundaries between painting, poetry, and sculpture to realize an eccentric body of materially light, conceptually rich work. Conceived in close dialogue with Tuttle, this exhibition presents two recent series, the planar 18 × 24 (2022–23) and the scattered Good Idea (2025), which the artist realized in his New Mexico and Maine residences, respectively.
For more than 50 years, Richard Tuttle has been loosening the boundaries between painting, poetry, and sculpture to realize an eccentric body of materially light, conceptually rich work. Conceived in close dialogue with Tuttle, this exhibition presents two recent series, the planar 18 × 24 (2022–23) and the scattered Good Idea (2025), which the artist realized in his New Mexico and Maine residences, respectively.
Conceptualized in 1970 as a contribution for a seminar at Les Arcs in the French Alps, David Lamelas’s Time articulates time visible at multiple levels: in a site, as information, and as an activity. In this work, time becomes both spatialized and durational through the performance of “passing" time down a line of participants.
Experience David Lamelas: The Machine through a free, public tour led by a Dia guide. Facilitated by practicing artists, tours at Dia invite visitors to engage with artworks as active participants and to bring their own questions and perspectives to the gallery experience.