Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for. He soon discovers that desire comes at a dark, sinister price in this equally haunting and amusing supernatural horror.
Spielberg’s latest sci-fi movie event, his first film since 2022’s The Fabelmans, returns to a legacy of grand, other-worldly, mysterious spectacle. Starring Emily Blunt, Josh O’Connor, and Colin Firth, Disclosure Day thrills in the tense moment when the unknown becomes known.
In another surreal, politically-charged, and straight-up weird outing from eccentric director Boots Riley (Sorry to Bother You), I Love Boosters follows a crew of professional shoplifters (Keke Palmer, Naomi Ackie) as they take aim at a cutthroat fashion maven (Demi Moore)—in an effort they deem a community service.
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for. He soon discovers that desire comes at a dark, sinister price in this equally haunting and amusing supernatural horror.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Spielberg’s latest sci-fi movie event, his first film since 2022’s The Fabelmans, returns to a legacy of grand, other-worldly, mysterious spectacle. Starring Emily Blunt, Josh O’Connor, and Colin Firth, Disclosure Day thrills in the tense moment when the unknown becomes known.
In another surreal, politically-charged, and straight-up weird outing from eccentric director Boots Riley (Sorry to Bother You), I Love Boosters follows a crew of professional shoplifters (Keke Palmer, Naomi Ackie) as they take aim at a cutthroat fashion maven (Demi Moore)—in an effort they deem a community service.
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for. He soon discovers that desire comes at a dark, sinister price in this equally haunting and amusing supernatural horror.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Spielberg’s latest sci-fi movie event, his first film since 2022’s The Fabelmans, returns to a legacy of grand, other-worldly, mysterious spectacle. Starring Emily Blunt, Josh O’Connor, and Colin Firth, Disclosure Day thrills in the tense moment when the unknown becomes known.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
In another surreal, politically-charged, and straight-up weird outing from eccentric director Boots Riley (Sorry to Bother You), I Love Boosters follows a crew of professional shoplifters (Keke Palmer, Naomi Ackie) as they take aim at a cutthroat fashion maven (Demi Moore)—in an effort they deem a community service.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Spielberg’s latest sci-fi movie event, his first film since 2022’s The Fabelmans, returns to a legacy of grand, other-worldly, mysterious spectacle. Starring Emily Blunt, Josh O’Connor, and Colin Firth, Disclosure Day thrills in the tense moment when the unknown becomes known.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for. He soon discovers that desire comes at a dark, sinister price in this equally haunting and amusing supernatural horror.
In another surreal, politically-charged, and straight-up weird outing from eccentric director Boots Riley (Sorry to Bother You), I Love Boosters follows a crew of professional shoplifters (Keke Palmer, Naomi Ackie) as they take aim at a cutthroat fashion maven (Demi Moore)—in an effort they deem a community service.
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for. He soon discovers that desire comes at a dark, sinister price in this equally haunting and amusing supernatural horror.
Joe (Seth Rogen) and Angela’s (Olivia Wilde) marriage is on thin ice. When they invite their enigmatic upstairs neighbors (Penélope Cruz and Edward Norton) for a dinner party, the night spirals into unexpected places. Olivia Wilde’s star-studded take on a dinner party dramedy is a timely portrait of a modern marriage, teeming with wit, belly laughs, and a surprising poignancy.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Spielberg’s latest sci-fi movie event, his first film since 2022’s The Fabelmans, returns to a legacy of grand, other-worldly, mysterious spectacle. Starring Emily Blunt, Josh O’Connor, and Colin Firth, Disclosure Day thrills in the tense moment when the unknown becomes known.
Joe (Seth Rogen) and Angela’s (Olivia Wilde) marriage is on thin ice. When they invite their enigmatic upstairs neighbors (Penélope Cruz and Edward Norton) for a dinner party, the night spirals into unexpected places. Olivia Wilde’s star-studded take on a dinner party dramedy is a timely portrait of a modern marriage, teeming with wit, belly laughs, and a surprising poignancy.
Next Wave favorite Lee Sunday Evans and Elizabeth Marvel transform the verbatim Senate testimony of Anita Hill and Christine Blasey Ford into a gripping, meticulously crafted evening of theater.
Experience your favorite films from this year’s festival all over again or for the very first time as we screen some of BAMkids Film Festival’s greatest hits from 2026!
In this self-described “hymn to life,” Rugamba—alongside guitarist Majnun—theatrically adapts his memoir dedicated to his family killed in the Rwandan Genocide.
Join New York Times bestselling author Adam Grant in conversation with Malcolm Gladwell to launch his new book Vibe, a science-backed exploration into how to foster relationships in an increasingly isolating world.
Visionary composer-performers Holland Andrews and yuniya edi kwon make their BAM debuts with an electrifying interdisciplinary work that fuses sound, movement, and ritual to ponder the ineffable.
Munyaneza uses her own body as a danced archive, making suppressed voices audible, visible, and tangible again in this solo performance.
Composed of work constructed prior to, during, and following the 2020 pandemic, Oliver’s three-part performance employs an amalgam of sound, design, and light in response to moments in our shared history.
Munyaneza uses her own body as a danced archive, making suppressed voices audible, visible, and tangible again in this solo performance.
Composed of work constructed prior to, during, and following the 2020 pandemic, Oliver’s three-part performance employs an amalgam of sound, design, and light in response to moments in our shared history.
Hanif Abdurraqib returns with his vital, viral series celebrating poetry as a force for bringing people together, spotlighting powerful voices from across Africa this year alongside friends and neighbors.
Get your costumes on and bring your family to our frightfully fun Halloween celebration, an autumn afternoon of carnival games, arts and crafts, candy giveaways, and more happening indoors and outdoors!
Experience your favorite films from this year’s festival all over again or for the very first time as we screen some of BAMkids Film Festival’s greatest hits from 2026!
Experience your favorite films from this year’s festival all over again or for the very first time as we screen some of BAMkids Film Festival’s greatest hits from 2026!
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.
Drawing on the deep dread of so-called “liminal” spaces—the non-places of depopulated office buildings and parking lots of late capitalist America—this feature debut from 20-year-old Kane Parsons was inspired by a sprawling fictional location first chronicled in a 2019 4chan thread. A simple premise straight out of the internet age snowballs into psychological terror as store-owner Clark (Chiwetel Ejiofor) and his therapist (Renate Reinsve) venture into an unknown dimension through a strange doorway that has appeared in the basement of a furniture showroom.
Two men join the crew of a ship that vanished three decades ago, then mysteriously returned, in a haunting, hallucinatory time-travel mystery written, directed, edited, and scored by Mark Jenkin.