Los Angeles has long shed any reputation as a city that only cares about the screen. From celebrated outdoor amphitheaters to intimate black-box stages, the theater scene here is expansive and genuinely adventurous.
An Opera Workshop performance at the Campus Theatre.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
An outcast fisherman casts his nets day after day, waiting for the catch that could redeem and reward his efforts. Hemingway’s Pulitzer-winning novel gets the operatic treatment in this rumination on age, loss, nature, and what it means to be beautifully, stubbornly human.
An outcast fisherman casts his nets day after day, waiting for the catch that could redeem and reward his efforts. Hemingway’s Pulitzer-winning novel gets the operatic treatment in this rumination on age, loss, nature, and what it means to be beautifully, stubbornly human.
An outcast fisherman casts his nets day after day, waiting for the catch that could redeem and reward his efforts. Hemingway’s Pulitzer-winning novel gets the operatic treatment in this rumination on age, loss, nature, and what it means to be beautifully, stubbornly human.
An outcast fisherman casts his nets day after day, waiting for the catch that could redeem and reward his efforts. Hemingway’s Pulitzer-winning novel gets the operatic treatment in this rumination on age, loss, nature, and what it means to be beautifully, stubbornly human.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
After years of loyal service to Count Almaviva, Figaro is finally about to get his own happily ever after. But when his bride-to-be Susanna reveals the count’s lecherous advances behind Figaro’s back, wedding plans take a back seat to sweet, sweet revenge in Mozart's classic comedy.
An Opera Workshop performance at the Campus Theatre.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.
Director/designer Thaddeus Strassberger stages an opulent original production that transports the hanging gardens of Babylon to the gilded theaters of Milan. Domingo Hindoyan conducts a brilliant cast, led by powerhouse baritone Ariunbaatar Ganbaatar (in his U.S. debut) as the mad king and the sensational Angela Meade as the scheming usurper.